Weathering with You – a Worth Reading special edition.

Weathering with You - Tenki no Ko - Hina and shrine
Makato Shinkai’s latest film hit the theaters last week, and many anime bloggers are posting their thoughts…  I’ve rounded up ones I’ve read and enjoyed and present them in this special edition of Worth Reading.  (Along with a fumbling mini-review and some of my own.)

I’ll put my mini-review and comments up here at the top, where you’ll hopefully scroll past while looking for the interesting stuff…

Honestly and simply, I enjoyed the film greatly.  My only real complaint is about some of the emotional beats.  Shinkai is excellent at the broader and larger beats, but sometimes he falls a little short on the smaller and more personal.  Not always, and not that far short, but noticeable to me.

Weathering with You - Tenki no Ko - Hina and Kotoro
Despite the success of Weathering at the ‘big picture’, I never really felt that he sold the connection between Hina and Hodaka all that well.  I doesn’t have to be as big and dramatic as the mountaintop scene in Your Name…  The smaller, less dramatic scenes as in Voices of a Distant Star and Garden of Words work just fine.  To me, the relationship between Keisuke and his daughter felt more fully fleshed out.

On the other hand I could argue that the incompleteness of the one-sided relationship is the whole point.  Hina doesn’t see in value in herself except to bring happiness to others and is willing to sacrifice herself to that end.  (Not just as the Sunshine Girl or the Weather Maiden, but in how she works to support herself and Nagi.)  It’s not until the very end of their shared journey that Hodaka shows her that he values her on her own.

I think maybe this takes more thinking…  I’m not always the worlds swiftest or fastest at figuring these things out.

Speaking of comparing with Your Name, a lot of people are doing that and it’s not entirely fair.  Maybe it’s because of my experience as a (sometimes) poet and photographer, but I’m not as uncomfortable with looking at works on their own.  While you can rate-and-rank subjectively, it’s practically impossible to do so objectively.  About the only thing you can do objectively is trace the evolution of an artist across his entire body of work.  By that standard, Weathering with You stands comfortably on the dais right alongside Your Name.  We have that rare privilege of seeing an artist at the top of his game as he works out the nuances of what he wants to say.  Or, as I like to say – “Shinkai is not the next Miyazaki.  He’s the next Shinkai.”

And at the end of this wandering path, my final thoughts are on the future…  After capturing lightning in bottle twice, what next?  The studios and the less critical in the audience are going to set a very high bar.  Despite what it may sound like above, I am something of Shinkai fan…  but after being in many fandoms over the decades, I’ve found one eternal truism – it’s rare for quality to trump commercialism.  They that have the gold make the rules, and one of the rules is “thou shalt generate ever increasing quantities of gold without increasing the risk”.  Can Shinkai continue to evolve as an artist within those constraints.  Will he be allowed to?  I certainly hope so.


Weathering with You - Tenki no Ko - Sunshine
All that being said, let’s dive into what’s being said elsewhere across the blogosphere…

The narrowness of Weathering with You, though, poses some interesting questions when the personal stories of the characters begin to contact the unavoidably broad element of the weather—a feature of the film that Shinkai and his producers have explicitly said was inspired by climate change.

One Human Sacrifice: Weathering with You’s Great Question
Iblessall – Mage in a Barrel.

I hadn’t originally intended to write much of a review/rumination on the movie, but Bless’ post started me thinking about how Shinkai handles narrow v. broad issues and relationships.  What I wrote above is basically the beginnings of a response to his post.

Adults for the most part are either indifferent to the struggles of our young teenage MC and heroine or actively predatory, attempting to exploit their good nature and ignorance.

Weathering with You
Anime Sunday.

Anime Sunday also touches on the themes of broad versus narrow…  And it’s interesting because they do something few reviewers do.  They personalize the review with their experiences of viewing the film as well as their thoughts on the film.  That’s something not enough of us do I think.  All too often we, as bloggers, put a certain distance between ourselves and the anime we’re watching.

I loved Your Name, even as I recognized I was not the ideal target audience for it, and that’s why I watched Weathering With You with that ideal target audience: a gaggle of teens.

Bring a Teen, or Your Inner Emo Teen, to Weathering With You
Dan Kois – Slate

This article has been popping up in my Google News feed for a week, and until this morning I’d steadfastly avoided reading it…  But when I did, I thought it made an interesting companion piece to Anime Sunday’s.  He never makes it quite clear why he thinks he’s not the target audience, but his observations of his companions are interesting.  (Otherwise, his review is pretty superficial.)

Thinking about it a bit more…  Hopefully he doesn’t think that “animation isn’t for adults”.  The single biggest thing preventing America from having an animation revolution is the dogged and persistent belief that animation is for kids and fart jokes.  Hopefully Weathering‘s box office success will start to change that view.

According to Shinkai, Weathering With You tackles the issue of social responsibility. How much do a single human’s actions matter in the scheme of things, and are we obligated to save the world from something much larger than ourselves? At first glance, this seems like a natural fit for a story about climate change.

Weathering With You is Worse if You Read it as a Climate Change Analogy
Frog-Kun – Fantastic Memes

And now a bit of thematic whiplash as I shift gears…  When it comes to critical discussions of Weathering With You, there are three themes that keep popping up.  The first, is the matter of broad v. narrow.  The second, the nature of self sacrifice.  The third, ably articulated by Frog-kun, is the allegory about anthropogenic climate change.

Froggie’s article is worth reading because they doesn’t simply accept and celebrate that allegory as a given.  They actually evaluate the film’s success in conveying and executing that allegory.  The title of the article is a bit of a spoiler about their position, but don’t let that dissuade you.  Click through and read it.

Frog-kun also wrote ANN’s review of the movie, worth checking out as well.

To me, I really like how the story is put together like a fairy tale stay in Tokyo with the reality of the situation slowly pulling into the situation as time goes.

Weathering With You: Tokyo Streets and a Sunshine Girl
Scott – Mechanical Anime Reviews

Last but by no means least – Scott writes a closer, more personal, review of what he does and doesn’t like about the film…  He covers some of the smaller aspects of the film not covered by the reviewers discussing the bigger issues and themes.  There’s all sorts of perspectives on any piece of media, and you shouldn’t miss the forest for the trees.


And there you have it!  A collection of thoughts on Weathering With You.  Feel free to comment here or on the linked post.  If you enjoy a post, be sure and let the original author know!


A note for my regular readers:  Producing this special issue of Worth Reading has taken a goodly chunk of the time and energy I’d normally devote to my weekly review post.  So, I’m going to roll that forward into a two-week set of reviews next week.  Look forward to it!

10 thoughts on “Weathering with You – a Worth Reading special edition.”

    1. And I agree about all your points of view. People should just be themselves, not try to be someone else. I know we like comparing people to people in media, but people should definitely create their own works…

      Liked by 1 person

      1. I know we like comparing people to people in media, but people should definitely create their own works…

        I grasp the need for a common vocabulary (which is what the comparisons amount to), but all too often they become the goal… when they should be the starting line. That, rather unfairly, puts artists in something of a straitjacket.


  1. The Your Name comparisons are inevitable, of course, but personally I didn’t really feel any strong similarities to that movie except in the most superficial ways. This wasn’t just another of those “lovers separated by time and distance” setups that Shinkai kept coming back to in his early works (and essentially perfected in Your Name). On the contrary, Hodaka and Hina are a very different kind of couple, spending most of the movie together and basically becoming each other’s anchors in a world where they’ve been pushed to the margins and have almost nothing else they can safely depend on. It’s only when they’re together, or actively working to help each other, that they’re able to briefly reclaim a small amount of agency over their own lives. That’s a very different dynamic from Your Name, where the central couple are mostly kept on separate paths, with only three brief face-to-face meetings in the entire movie (and they don’t even remember the first two by the end). And it’s certainly completely different from Voices of a Distant Star or 5 cm Per Second where the separation of the couples is what drives the whole plot.

    I think my favorite comment from the reviewers was one film critic who decided that instead of comparing Shinkai to Miyazaki, it’s more apt for us to think of him as the John Hughes of science fiction.

    Now, on to reading those links you so kindly provided…..

    Liked by 1 person

    1. I think my favorite comment from the reviewers was one film critic who decided that instead of comparing Shinkai to Miyazaki, it’s more apt for us to think of him as the John Hughes of science fiction.

      That’s an interesting thought… And I can’t say I can find anything off about the idea at first blush.

      And it’s certainly completely different from Voices of a Distant Star or 5 cm Per Second where the separation of the couples is what drives the whole plot.

      There is a brief separation, but it’s “spice” rather than the main plot. And I don’t really think he played the “connected by fate” (which is another common feature) card… They’re forced together by circumstance and try to overcome those circumstances.


  2. This is awesome, I can FEEL the amount of work that went into this! I look forward to checking out some thoughts from folks I missed. I’m interested in that piece about the climate theme and whether it was effective because while it sets up the idea of climate change it dances around whether it is beyond our control and if it isn’t should we do anything about it, and if we don’t and focus on our own happiness(or the love between the MC and heroine) everything still ends up kind of okay?.. it really doesn’t figure out how to tie it all up in a smooth package. Also, your notion that Hina didn’t value herself, and how that affected the story telling, was mostly lost on me. Thinking back, when Hodaka rescues her and let’s her know that she doesn’t owe the world a sacrifice, that is the moment she realizes that her value is an intrinsic one and is not based on what she can do to benefit other people as a sunshine girl which completely subsumed her identity and sense of purpose. Interesting stuff! Great compilation and I appreciate the head nod!

    Liked by 1 person

    1. it really doesn’t figure out how to tie it all up in a smooth package.

      Yet by showing the consequences of choice it plants the seed… Smooth packages make for a less unsettling experience, granted, but they also kinda cheapen the movie to a degree. They don’t leave the room for the audience that a messier package does.


  3. This was one heck of a well written post and review man! Thanks for sharing it. Even though I’m pretty much at my limit for following blogs, I at times make exceptions…so consider me subscribed😀
    “To me, the relationship between Keisuke and his daughter felt more fully fleshed out”…I agree with you: I did think that relationship worked better😊 At the same time I did like the relationship between Hina and Hodoka too, because well…as I said in my previous comment over on my blog: I loved their positive energy despite their many hardships😊
    I know of the comparisons made between Your Name and this one, and as you say it’s not fair. Both are their own films…and well, the first time I saw Your Name, I didn’t enjoy it as much. Of course with a second viewing that changed, but still…I didn’t have that feeling with this one. In fact…me personally? I think I enjoyed this one just a bit more. Maybe it’s the subject itself…I don’t know.
    Anyways…as I said: well written article! 😀😀


    1. Thanks, for stopping by and for the follow!

      Everyone is going to react to same movie differently, that’s what makes these conversations fun! I agree, I loved their relationship – but I felt I had to take it as a given because he didn’t set it up all that way. Your Name on the other hand, I was captivated right from the beginning.

      For future readers, a link to Raist’s review and our conversation:

      Liked by 1 person

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